I'm sure many people have been following the Iranian uprising. What we could also be seeing is the death of corporate journalism.
The control by the government regime of corporate and foreign journalists has put the power and obligation of reporting of the uprising back in the hands of the Iranian people. With the current state of Orwellian control over media distribution, it is now possible to shut down corporate web sites and identify and gag corporate journalists.
As I've mentioned before, the U.S. currency has been under threat of massive deflation if it reverts from it's reserve currency status. In the past, the threat has been from the rise of PetroEuros due to the diversified European political decision making and it's oil dependence. This Clark hypothesis saw oil as the main trigger to a change in security of the U.S. currency through OPEC adopting multiple oil trading currencies instead of relying on the U.S. dollar.
As part of my work with the EmCAP project, a paper I collaborated on has finally appeared. This reports work that I collaborated with researchers in Plymouth (Martin, Sue) and Barcelona (Hendrik, Amaury, Piotr) as well as Henkjan. We computationally modelled the human perception of onsets of musical notes and tracking of the musical beat. The software determines the beat period from unaccompanied singers that have a variable tempo.
In March I joined Jill and many friends in Puerto Rico to celebrate Anja and Tetsu's wedding. As part of the celebrations and ceremony, I had written the titled little piece for guitar for them that I played on the beach at sunset. I wasn't really familiar with the guitar I borrowed & a bit nervy, so I fluff it a bit but the recording captures the atmosphere of playing with the early evening waves rolling in on the beach. It was a beautiful day.
This is a one minute sound piece written Nov. 1993 and presented at the 1993 Evos/PICA Soundweek. It was later performed at the International Computer Music Conference in 1996.
The title refers to the intrinsic distortion of any recording technology, of contrived suggestions of different spaces that we deal with listening to any recording.